debor009

I’ve been off the grid for the past couple of months trying to figure out how to move to Los Angeles in 2018 without breaking the bank. For two years my husband and I have been making periodic trips out to LA to check out neighborhoods, apartments, acting classes, travel distances to the studios, and the feasibility of getting to auditions by driving the grid and staying off the freeways. (As Bette Davis famously said, “Take Fountain.”) We really thought we could make it work, but the more research we did the less it seemed feasible. Paramount Pictures where Gloria Swanson makes her entrance in Sunset Boulevard . Single actors may join forces with a roommate or two and romanticize the Bohemian life, but husbands frown on additional bodies in the home and I’ve reached a point in life where dirt and junkies are just…well…dirt and junkies. Last August we flew out to LA to check out apartments in a few neighborhoods we’d identified as pleasant, reasonably safe, and within easy commute to t...

We’d never thought of creating a base in southern Nevada, or of splitting the year between two (or more) locations, but the minute we got home I was online and looking into it. The distance (about 300 miles depending on the route) was about the same as from my current location to New York, so even when I wasn’t physically in Los Angeles I could still make it to scheduled call times and classes, and there was still the option of uploading audition tapes. Taxes? Nevada has no state income tax, check. Apartment costs? A two-bedroom in Las Vegas can be had for around $1,000 a month. In some of the small towns to the south, like Laughlin , it drops to $550. So rent for a whole year in Nevada is roughly equal to the cost of one or two months in Los Angeles, which eases the pain of paying rent for a year when we may be away for long periods of time. Pets? We didn’t see any massive up-front pet fees, but breed and number limits are in place in some places, but not all. Location? The desert is...

The more we thought about getting an apartment in Nevada, and taking our own mobile accommodations to Los Angeles for that prime part of the year for auditions, the more it seemed like a good idea. My husband will be polishing his three draft novels - and developing new ones - so he can work anywhere. We would be out of the desert during that part of the year when it's ridiculously hot. We could park ourselves in different locations, from beach to mountains. If neighbors nearby got noisy or unpleasant, we could move. Plus we could stay mobile for location filming and take our pets with us. We're Westerners by birth. No limits, Baby! But what kind of mobile accommodations were going to feel most comfortable and at the same time be the most mobile? We found out that with more and more employment being do-able online a lot of working-age people are ditching the 9-5 routine and opting for a place-to-place life on the road, so researching RVs and what is involved was easy (search RV...

In this era of digital marketing and social media, why send paper postcards you may well ask.  Here's why: A photo postcard puts your name and face in front of casting agents repeatedly, keeps them up to date on what kinds of projects you're booking, and is more likely to be successful than other kinds of contact. Send in an 8" by 10" glossy and a resume and it goes on the "Intern pile" for filing.  Send an email and it gets lost among correspondence more important to agency business and may be deleted without being opened. Telephone? (NO PHONE CALLS!!!) A postcard is brought in and put with the casting agent's personal mail. The agent will read it when time permits and they're not distracted by other business (during coffee breaks, for example). If you're tracking the agent's projects, a postcard gives you an opportunity to make a positive personal comment and build a relationship. Not all casting agents like receiving postcards, but most do...

Just back from shooting my role as the Grandmother in "The Book of Birdie." Wonderful cast and crew. It's going to be a terrific film. Plus, Saturday night, British actress Suzan Crowley and I were treated to a delightful evening at the Hob Nob Supper Club in Racine. What an experience! Wisconsin has some 350 supper clubs, many of which began as roadhouses during Prohibition and then continued as establishments "outside the city limits" that serve alcohol. Public TV even did a special on them . Hob Nob has these amazing white diamond-upholstered booths that look like a setting for the Frank Sinatra/Dean Martin "Rat Pack." Food was amazing and a pianist added to the atmosphere by playing the theme song from Billy Wilder's "The Apartment," which I've never heard played except in the film. Felt like I'd gone to Heaven. Many thanks to our hosts. It was such fun. The decor looks like a movie set.  I love the upholstery. Our table was ...

This past summer I had the pleasure of appearing in "Witches," a fantasy comedy by talented actor/playwright Scott Courlander for the Capital Fringe Festival. Fringe Festivals present a wonderful opportunity to premier new works with minimalist staging, and each summer more than a hundred plays and other kinds of performances, involving more than 500 actors and entertainers, get a sneak preview here in the nation's capital. It is worth noting that   Hugh Laurie , Emma Thompson , and Stephen Fry got their start in 1981 in just such a festival - albeit a somewhat larger one, the Edinburgh Fringe Festival - and the rest is history. "Witches," a play about a sleepy princess found in an enchanted wood and awakened by three witches with hilarious results, is one of many Courlander has produced through his company, Red Knight Productions . It was not only great fun to do (I earned "Favorite Performance" honors from DC Metro Theater Arts for my portrayal o...

Comedy is a route many actors use to break into high profile TV and film. It allows you to work large in voice and movement and, in a way, it illuminates voice and movement for drama, because it allows you to see a broader range of what you can do.  I’ve never thought of myself as a “funny” person. Can’t tell a joke to save me. Often referred to as quiet and aloof around those I don’t know well. But I started doing comedy in theatre and found that for me it was the one instance where the phrase “make a bold choice” seemed to make sense.  Plus it’s safe. If you make a bold choice in a drama audition and people laugh, that’s bad.   If it’s a comedy role you’re after and they laugh, that’s good.  I’ve just booked a couple of comedy roles in upcoming productions, one film and one theatre, so I’ve been researching the finer points.  One good source is Scott Sedita’s book The Eight Characters of Comedy: A Guide to Sitcom Acting and Writing . Sedita provides b...

Actors have all been through this at one time or another: casting liked your r ésumé , looked at your reel, and thinks you might be right for the role. They called you in, you killed the audition, and got a call-back. Maybe two. At some point in that process, you may have heard the phrase that strikes fear in the heart of many an actor: “Tell me about yourself.” (What?!) Let’s face it, a lot of us got into this business because our own lives didn’t seem nearly as interesting as the roles we hoped to play, so “Tell me about yourself” sounds like a trick question. You feel l ike Meg Ryan in the 1989 film When Harry Met Sally , where she says "telling you the story of my life wouldn't get us out of Chicago." Besides, what else do they need to know? They can see you’ve got the experience and can do the role, yes? True, but acting in a film or play is a team effort and if you’re going to be spending a significant amount of time with the rest of the cast (more than a bit part...