debor009

I don’t think one can work in film without being in love with the movies: their long and glorious history, the trends and techniques that create them, and the actors and actresses – great stars and contract players – who bring them to life. Since starting down this crazy path as an actress, my shelves have become filled with books about the film industry and the availability of many wonderful old books on Amazon, some of them out of print, means that I always have one in my bag to pick up between scenes or devour in my easy chair during those weeks between jobs. I’ve just acquired two by American journalist and author Otto Friedrich : City of Nets: A Portrait of Hollywood in the 1940’s and Before the Deluge: A Portrait of Berlin in the 1920’s , the second of which provides back story on many of the European actors, writers, and filmmakers who fled to Hollywood prior to the second World War. Friedrich is a terrific writer who captures the big picture and then enriches it with the storie...

I've just come across an online post defining the different schools/approaches to acting.  It is as succinct as I've seen (original here ) in outlining the basic themes, explaining that.... Adler is built upon Imagination Meisner is built upon Immediate Experience Strasberg  (Method) is built upon Sense Memory British is built upon Observation "The Meisner system seems to produce actors that pay attention to their partner better. Some of the basic Meisner exercises include the YES/NO and various repetition and back-and-forth exercises that tend to 'bond' the actors together. "Acting is living life truthfully under imaginary circumstances". "The emotional life of a scene is a river and the words are the boats". "The Strasberg system or METHOD system tends to produce actors that are a bit more tightly wound. The system is based on SENSE MEMORY, which is the process of recalling all of the attributes of an object, and EMOTIONAL MEMORY which...