debor009

Our local actors group had an online discussion recently of ways to gather your clips together for your demo reel, a topic I’ve touched on before and worth repeating as young filmmakers especially frequently seem to have something “better to do” than get clips out to their cast. If the film or TV project you appeared in is somewhere online, there are online services that can get the clip for you. Actors have used ripit.me or clipgrab.org, which has a program for both Mac and Windows. Expect to pay a small fee however. If the project is posted to YouTube, you can easily download the whole thing to your desktop by simply replacing the “www.” in the url with “ss” (without the dot). This will redirect you to Savefrom.net, where you can click on "download video in browser" (look on the lower right third of the screen) and select the video quality you prefer. Done in less than a minute and free. If the film/TV project itself isn’t posted to YouTube, see if you can at least find the...

It’s ironic that you can move to a city of 12 million people and feel absolutely alone, but you can.  Sure, you can go to actor networking events, union workshops, and acting classes and meet fellow struggling actors (the city is overrun with them!), but if you’re looking for close friends to have fun with, people in the same hugely competitive business may not make logical soul mates. Plus crazy schedules can make it hard to connect outside of classes and auditions. When I tell an actor friend "Let's get together for lunch!" I invariably have to preface it with "What does your schedule look like?" Bumping into someone’s shopping cart at the supermarket could have you mistaken for a stalker, and I’ve watched (and appeared in) enough Investigation Discovery crime shows to know that you don’t look for friends in bars. (A couple vacationing at the beach a couple of years ago did that and didn’t survive the night!) The best bet for finding friends (not to mention p...

Comedy is a route many actors use to break into high profile TV and film. It allows you to work large in voice and movement and, in a way, it illuminates voice and movement for drama, because it allows you to see a broader range of what you can do.  I’ve never thought of myself as a “funny” person. Can’t tell a joke to save me. Often referred to as quiet and aloof around those I don’t know well. But I started doing comedy in theatre and found that for me it was the one instance where the phrase “make a bold choice” seemed to make sense.  Plus it’s safe. If you make a bold choice in a drama audition and people laugh, that’s bad.   If it’s a comedy role you’re after and they laugh, that’s good.  I’ve just booked a couple of comedy roles in upcoming productions, one film and one theatre, so I’ve been researching the finer points.  One good source is Scott Sedita’s book The Eight Characters of Comedy: A Guide to Sitcom Acting and Writing . Sedita provides b...

Actors have all been through this at one time or another: casting liked your r ésumé , looked at your reel, and thinks you might be right for the role. They called you in, you killed the audition, and got a call-back. Maybe two. At some point in that process, you may have heard the phrase that strikes fear in the heart of many an actor: “Tell me about yourself.” (What?!) Let’s face it, a lot of us got into this business because our own lives didn’t seem nearly as interesting as the roles we hoped to play, so “Tell me about yourself” sounds like a trick question. You feel l ike Meg Ryan in the 1989 film When Harry Met Sally , where she says "telling you the story of my life wouldn't get us out of Chicago." Besides, what else do they need to know? They can see you’ve got the experience and can do the role, yes? True, but acting in a film or play is a team effort and if you’re going to be spending a significant amount of time with the rest of the cast (more than a bit part...