debor009

There's an old army saying that assumption is the mother of all screw ups, and it's as true on set as it is on base.  This week I came across a terrific article by Casting Director Lana Veenker on errors to avoid on set.  I've copied them below, but here's the link to her original article .  Lots of good advice here.   From "12 Major Faux Pas to Avoid on Set," Backstage magazine, January 13, 2014: 1. Working with cameras and mics. “One of my most embarrassing acting memories was forgetting I was miked.” Between takes, the crew can hear your every word. Never make fun of, hit on, gossip, or gripe about your colleagues. This is one of the most common on-set blunders. (See also: looking into the camera; not being off book.)   Kay: I would add to turn off the mic before heading for the restroom. 2. Handling food and drink. “During the lunch break, I dipped my tie into the BBQ sauce and soiled my white shirt.” Protect your wardrobe from spills and stains. Also ...

There aren't many films about the acting experience that I would recommend, but this one is pure gold and no one seems to be promoting it. In That Guy...Who Was in That Thing , a 2012 film from #NewWaveEntertainment, serious (and recognizable) supporting actors talk about the ups and downs of their careers in Hollywood. If you've hit a slump, this film will help you get your head on straight. Stream it off of Netflix as I did or, if you can find one, buy a copy on DVD. Why is it so good and so useful?  Because it's about the struggle to succeed.  Human beings like stories about struggle.  That's why star autobiographies are often so inspirational and a treasure trove of good advice; they tell us how hard and long the road can be, and that it's still possible to survive and succeed.  Now if they'd just follow up with That Gal....Who was in That Thing ....  #KathrynBrowning #ThatGuyWhoWasInThatThing

--> Slowly easing back into the saddle after 3 months of near total focus on home repair and remodeling. Getting the manse in shape for an eventual (sooner than later, I hope) move to Los Angeles and, yes, it’s a nightmare. Fortunately, the activity has moved to the exterior, so I don’t have to spend my days wiping drywall dust off the furniture (plates, food, pets, etc.). Came up for air in time to book a speaking role on a national TV series. I had two scenes in this same show last year only to lose them to editing and rewrites. (Bah!) It’s one of the hazards of acting. You struggle to get into a hit show, get all excited when you do, and then have your hopes dashed. Losing the whole scene isn’t the worst-case scenario, however. Some of my actor friends have landed speaking roles and then had just their lines cut. That means their character is reduced to "featured background" and they can’t get a different role on that same show for years. I must say though...

A post script to my note on Los Angeles below.  I was out there primarily to attend the LAWebFest, along with other members of the cast and crew of CapSouth (see photo), a WebFest official selection and the political comedy in which I play Congresswoman Gracie Todd Englewright. Well CapSouth took home no prizes from the WebFest, but at the Indie Series Awards last night at the El Portal Theater in L.A., writers #RobRaffety, #AndrewHeaton, and #SatyaThallam took home the prize for "Best Comedy Writing."  Well deserved and well done Guys! Rob had L.A. actor Mike Moser on hand to accept.  Rob texted everyone at 1 a.m. and was absolutely beside himself, especially since the competition included Hollywood pros and a writer/producer for Buffy the Vampire Slayer!  Here's a clip of the ISA award announcement.  By the way, rumor has it that Sat'ya Thall'am is changing his name to John Smith.  Hah! https://www.youtube.com/watch?v=x8jHWlGsluM&feature=share...

Back from a week in Los Angeles to attend the LAWebFest, where my web series CapSouth was screened.  Now catching up on my laundry.  I had an amazing time. Took advantage of the trip to meet with actor and production friends and scout the area.  Stayed off the freeway and drove through the neighborhoods – Hollywood, Beverly Hills, Koreatown, East LA, Burbank, Pasadena, Malibu, Santa Monica, Venice, all over.  This is what I learned and heard: 1.    Vastly more production going on there than in the East (not surprising), but also vastly more competition from other actors. I bumped into performers everywhere: coffee shops, on the street, and two  stand-up comics just while waiting for the rental car at the airport. Kept overhearing snatches of conversations like: “we just shot their commercial last week” and “we start shooting the film in May.”  2.    While many of the big production studios are in the Burbank/San Fernando Valle...

A lot of actors say they are too self-conscious or too critical of their own performance to ever watch their own clips. I say watch your clips. More than that, develop a loving eye about how you look expressing the whole range of emotions. Why? Because it's freeing. The more comfortable you are with how you look on camera, the more you can let yourself be free to act and to have fun with your character. Starting out in this business, I think we all want to look as attractive as possible on film and in photos. Hollywood projects glamor, after all. American films and American television in particular reach for a certain standard of physical perfection. Even Jennifer Lawrence gets photoshopped in print to look thinner and have more hair! (Good grief!) The tendency is to be overly conscious of our imperfections. My eyes are a bit too close together, for example. My nose definitely has a "good side." My face in the throes of deep emotion has hundreds of little muscles that cre...

Actress Ingrid Bergman relates this exchange with director Alfred Hitchcock: “I said, "I don't think I can give you that kind of emotion." And he [Hitchcock] sat there and said, "Ingrid, fake it!" Well, that was the best advice I've had in my whole life, because in all the years to come there were many directors who gave me what I thought were quite impossible instructions and many difficult things to do, and just when I was on the verge of starting to argue with them, I heard his voice coming to me through the air saying, "Ingrid, fake it!" It saved a lot of unpleasant situations and waste of time.” Faking it has a lot to do with the "outside in" approach to acting favored by the British and Europeans, and the more experience I gain as an actress, the more I think there is something to it. Get the walk and the talk and the rest of it will come. In many situations, it does. Example: I was on set yesterday for a television episode in a sce...