debor009

Many actors try to gain insight into the character they are playing by writing reams of backstory and character description. For me, being a triple Aries and terribly anxious to get on with things, that approach is a struggle. Here are David Mamet's thoughts on understanding and developing a scene that I've found very helpful in adding immediacy and specificity to my role. In fact, I printed this out and carry it in my wallet because it's especially useful for cold reads.

Actor friend Michael Shiflett , who played my husband last month in Andrew Evans' short film, Anna and Thomas, plays the Vietnam vet in this video.  I had to share it as it's a lovely, understated performance. Michael often plays tough guys, but when a tough guy dials it down it can be so moving....

I don’t think one can work in film without being in love with the movies: their long and glorious history, the trends and techniques that create them, and the actors and actresses – great stars and contract players – who bring them to life. Since starting down this crazy path as an actress, my shelves have become filled with books about the film industry and the availability of many wonderful old books on Amazon, some of them out of print, means that I always have one in my bag to pick up between scenes or devour in my easy chair during those weeks between jobs. I’ve just acquired two by American journalist and author Otto Friedrich : City of Nets: A Portrait of Hollywood in the 1940’s and Before the Deluge: A Portrait of Berlin in the 1920’s , the second of which provides back story on many of the European actors, writers, and filmmakers who fled to Hollywood prior to the second World War. Friedrich is a terrific writer who captures the big picture and then enriches it with the storie...

All actors, at one time or other in their careers, experience the frustration of finding themselves relegated to one or two types of roles, with no opportunities to show their skills playing anything else. An actress friend, for example, said she felt she could play a lawyer, but she’s always being cast as blue collar, "lady plumber" types. When that happens, we’re frequently told to produce our own films, which means writing a script, assembling a cast and crew, finding locations, setting up a schedule, feeding everyone, and – even on a micro budget – coming up with many thousands of dollars to pay for it all.  Then the months of waiting for editing, promotions, and the cost of submitting to festivals. A few weeks ago, I got the idea that since an actor only needs 30 seconds of footage to show what they can do, it might be possible for two actors to shoot and edit a small scene themselves, with minimal set up, and then mine it for clips. Having some experience in directing a...

In this era of digital marketing and social media, why send paper postcards you may well ask.  Here's why: A photo postcard puts your name and face in front of casting agents repeatedly, keeps them up to date on what kinds of projects you're booking, and is more likely to be successful than other kinds of contact. Send in an 8" by 10" glossy and a resume and it goes on the "Intern pile" for filing.  Send an email and it gets lost among correspondence more important to agency business and may be deleted without being opened. Telephone? (NO PHONE CALLS!!!) A postcard is brought in and put with the casting agent's personal mail. The agent will read it when time permits and they're not distracted by other business (during coffee breaks, for example). If you're tracking the agent's projects, a postcard gives you an opportunity to make a positive personal comment and build a relationship. Not all casting agents like receiving postcards, but most do...

About 3,500 films are made each year, not all of them great obviously. Is it my imagination or were more great movies really made back in the 1930s and 1940s, during Hollywood's Golden Age?  Certainly they had a system down for identifying plots that appealed to the public and maybe that made all the difference. I just finished Thomas Schatz’ book The Genius of the System: Hollywood Filmmaking in the Studio Era ,  which was a fascinating read.  Schatz says that in any given year in the early 1930s, MGM staff readers alone filed reports on more than 1,000 novels and original scripts, 500 short stories, 1,500 plays, and 1,300 works in foreign languages...all in the pursuit of stories the studio could turn into hit movies.  One assumes a similar output was seen at all of the other major studios as well. At MGM they followed “The Ten Commandments for Studio Readers” laid down by head of production Irving Thalberg , and most of it sounds like good advice for struggling f...

Just back from shooting my role as the Grandmother in "The Book of Birdie." Wonderful cast and crew. It's going to be a terrific film. Plus, Saturday night, British actress Suzan Crowley and I were treated to a delightful evening at the Hob Nob Supper Club in Racine. What an experience! Wisconsin has some 350 supper clubs, many of which began as roadhouses during Prohibition and then continued as establishments "outside the city limits" that serve alcohol. Public TV even did a special on them . Hob Nob has these amazing white diamond-upholstered booths that look like a setting for the Frank Sinatra/Dean Martin "Rat Pack." Food was amazing and a pianist added to the atmosphere by playing the theme song from Billy Wilder's "The Apartment," which I've never heard played except in the film. Felt like I'd gone to Heaven. Many thanks to our hosts. It was such fun. The decor looks like a movie set.  I love the upholstery. Our table was ...